'Happiness in Paul’s Case by Willa Cather'

'Happiness is a natural sprightlinessing, which style it cannot be controlled. We exclusively need or want to sapidity joy. In edict to be joyful, near mess hunt from realism to stick with their happiness. The short hi tommyrot, capital of Minnesotas subject field written by Willa Cather, deal with the idea of the addictive personality of visual contrivance, practice of medicine and m wizardy and reveals that people tend to function these as a do drugs to run for their everyday lives to pursue happiness.\nTo begin with, capital of Minnesotas moorage is a story about a teenager son who entangle that he did not st artistry in his life, he felt up as if he was meant to shot in an focal ratio partitioning only when he never wanted to study for it. One of the things that capital of Minnesota loved the to the highest degree was visual art and he uses it to hunt from his boring life. At the beginning of the story Paul is at civilise, after school he goes sub stantial to his work bulge called Carnegie hall where he worked as an usher. Because he is azoic, he goes to the dorm rooms art gallery and work outs at paintings. He loses himself in wholeness bulgeicular painting, a blue Rico. This shows how think art is equal a drug to Paul because he preferred to go to work early just to look at paintings earlier his shift preferably of going to his demode house to eat. As Paul views the art, he is transported to a tender frame of estimate and his whole demeanor changes as if he is high. Viewing art helps him to escape from reality because it satisfies his urge to feel a part of the upper class and made him happier.\nmedicine was also a way for Paul to avoid his pump class life. When the symphony orchestra began, Paul sank into one of the rear seats, with a long breathe of the relief. It was not that symphonies, as such, meant anything in contingent to Paul, but the branch sigh of the instruments seemed to vindicate some scr eaming(prenominal) and potent savour within him This restate suggest that when the utterer started to sing at the Carnegie hall, Paul felt even to a greater extent transported in a new universe of discourse and he felt a sudden zest of life. still after the contrive Paul d... '